One great thing about a tenor banjo tuned in fifths is that
you have the same interval between each string:
G-D-A-E from low to high (or C-G-D-A).
It’s a very logical tuning. Contrast
that to a guitar where you have the interval of a 4th between each
string except for the open G to open B. (the B string would need to be a C to maintain
intervalic symmetry). Although, if you
want to play in closed positions on tenor banjo (no open strings) there is one issue or
limitation to the 5ths tuning – the s t r e t c h!
It’s very difficult to reach from frets 1 or 2 to
frets 7 or 8. You can manage it on the
mandolin because the mandolin’s 13-inch scale means that you can place the
index finger on the 2nd fret and the pinky finger on the 7th
fret without too much trouble. But even on a 21” scale tenor banjo that just isn’t doable. So what if you added a 5th string and tuned in 4ths? That might be a
good compromise.
A 5-string instrument tuned in straight 4ths A-D-G-C-F would
have a similar pitch range, but everywhere requiring stretch from frets 2 to 7 on tenor banjo would only be from frets 2 to 5 in 4ths
tuning. The next fretted note in the
scale would always be on the 2nd fret of the next higher string and not the 7th fret of the current string.
I haven’t given too much thought yet to the chord shapes,
but from a melodic standpoint single-note melodies should fall under the
fingers pretty well in 4ths tuning. Since you
would not have to use any open strings, transposing a melody to another key would be as simple as taking that same pattern and moving it up or down the neck. This might allow you to perceive melodies like a
horn player.
I am going to try this out with an inexpensive short-scale Luna guitar. A local luthier is going to set it up as a 5-string left-handed instrument tuned in 4ths – A-D-G-C-F – using a mandolin tailpiece to keep the strings low to
the body behind the bridge saddle. We’ll see how it goes! I'll report back once I've tried it out.
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