Not too long ago
I got a used copy of a book from 1987 called Old-Time Music Makers of New
York State, by Simon J. Bronner. The book examines the fiddling
and old-time music of rural upstate New York during the 19th and 20th
centuries. Old-time music is usually associated with the Southern
Appalachians, so it's interesting to find a book that addresses its role and
meaning to the people of this region, whose fiddlers
had just as much of an impact on their communities as their
counterparts in Kentucky or Tennessee.
I would like to
sit down and read the whole book, but so far I've just been perusing it and
looking at the photographs and transcriptions of old fiddle and dance
tunes. It contains many great tunes that were part of the Yorker
tradition, including Haste to the Wedding, Money Musk, Durang’s Hornpipe,
Rickett’s Hornpipe, Irish Washerwoman, Rakes of Mallow, Miss McCleod’s Reel,
Devil’s Dream, Turkey in the Straw, and more.
I thought I'd share a tune in it called Blackberry Quadrille. I wasn't familiar
with the title and until I looked it up I don't think I had ever heard anyone play it.
Blackberry Quadrille was recorded on July 14, 1941 in New York City by
Woodhull's Old Tyme Masters, an old-time square dance band from New York
State. Click here to listen to that
recording of Blackberry Quadrille. Woodhull's also
recorded versions of Soldier's Joy, Girl I Left Behind Me and Capt. Jinks
during the same recording session that day.
Below is the
book's transcription of Blackberry Quadrille. As you can see it is in 6/8
time, making it a fun, Northern sounding tune that you could probably toss into
a set of jigs or slides at an Irish session without raising too many
eyebrows. It would also make a great contra dance tune, obviously.
Blackberry Quadrille sheet music transcription |
According to this video's description, "Quadrilles, or dances in square formation of four couples
facing each other, evolved in France and became popular in Britain, Ireland and
America in the 19th century. It was first danced publicly in Dublin in 1816. It
is possible that quadrilles were brought back to Ireland by soldiers returning
from the Napoleonic wars. The Irish dancing masters increased the speed to that
of Irish dances of the time and modified the dance with native Irish dance
steps".
I hope you enjoy learning this tune!