Number 87.5 is Clown College. I'm considering it half a tune because it mainly is just a couple of riffs I was playing on my new xylophone. I wrote it so quickly and it's so simple that it doesn't seem like it should count as a whole tune. So it's just half of one!
Number 88 is The Seance Needs. Week before last I was listening to the audio book version of Jerry On Jerry and in one of the interviews it sounds like Jerry says "Finally, a lady with the seance needs as us!". He doesn't say that but that's what I heard and so the title of this comes from that misquote. I heard the theme music to the Netflix show A Very British Scandal and really liked it. It seemed very easy to transcribe and I really dug the slightly unusual scale it was using so I took that scale and made a different melody out of it.
Number 89 is Swansea. When the Better Oblivion Community Center album was released on 1/31 Spotify added it to my release radar playlist which caused me to hear it and learn about it. Luckily I gave it a chance (after recognizing Conor Oberst's voice) and I instantly loved the album, having now listened to it over and over again. I don't know if Swansea is the melody to their song Dylan Thomas...it sounds like it probably is but hopefully this is different enough to make it worth counting.
Number 90 is Lagom. I keep a playlist going of songs that I hear which I want to mine melodies from and when an Augustus Pablo/Lee "Scratch" Perry track came up it just had to be added to that playlist. Then yesterday morning I put some notes together based on that. It's Lagom. Just the right amount.
Number 91 is Sun of the Golden West. Inspirations were coming at me left and right this past week. I had never heard of the guitarist William Tyler before but I was enticed by the track Our Lady of the Desert enough to view the whole album and it's one of those that really grows on you. This melody would not exist without having heard of him.