Guitarist Bill Frisell's sound has been described by Jazz Times as "instantly identifiable". Jazz Times goes on to say that his "tone is overwhelmed with reverb and delay, and he's developed the tic of bending the neck after striking a note or chord, in an effort to move those pitches into an unattainable perfect tuning. Complementing those serene, liquid tone colors is his physical attack, wherein economy is paramount and looping devices are constantly tweaked for purposes of orchestration and atmosphere rather than theatrics."
This one-off performance in Richmond precedes a 5-day stint next week at the Kilkenny Arts Festival in Kilkenny Ireland, where it looks like Bill will sit-in with a wide variety of artists and projects, including a performance of Terry Riley's In C and a set with Irish traditional musicians Martin Hayes and Dennis Cahill! I would love to hear both of those.
|Beautiful Dreamers trio|
Frisell seems to thrive in unusual, improvisational settings with all sorts of different musicians. I'm particularly fond of the music made during this February 29th, 2004 performance at the Barbican Theater in London, where he played with Malian musician Djelimady Tounkara. Here are some videos from that concert:
Bill Frisell seems to be a little outside the smooth jazz and funk that the Richmond Jazz Festival normally features, but then again Bill's going to be a little "outside" of any lineup he is part of. Perhaps his presence will bring some increased awareness to an already successful and vibrant jazz festival.
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